Das Nove às Seis is a drawing piece (in the sense of what activates performativity in drawing) that made use of a dispositive possibility ⎯ the collective exhibition that reads the artist as a corporate worker, worthy of his own office ⎯ to critically inscribe himself in it. In the continuity of this project, Ovídio, as a worker-artist, during the hours of nine to six, proposes the drawing of the work plan and the resulting works. The drawing becomes the place, the place is the workplace, and the worker builds the place. The circle feeds itself.