King Size examines how masculinity is constructed in order to redefine the relationships between nature, gender, and sex. Focusing on figures that embody masculine myths, as well as their parodic revisions, this creation stages a game of disidentification that resists the pressures of sexual binarism in both society and art.
This work confronts the devices of creation and dramaturgy in contemporary drag performances with the rigid codes of gender representation in traditional dance and theater. It questions these representations, blurring the lines between what is natural and what is a cultural or theatrical construct.