A mouth that swallows everything.
It swallows forests, waters, until it swallows itself.
And all, without exception, will be devoured by the earth.
BOCA COVA – delirium of grandeur, will be the last piece of a trilogy that began with Overtongue (2021) and Lessons for Cadavers (2022). This series of works questions what is artificial and natural in us, and how learning and reproducing a language shapes our behaviours. In BOCA COVA, together with 6 dancers, Michelle Moura will explore physical states between ecstasy and vertigo, human and non-human to generate strange, vulnerable, sculptural bodies in transit, observing how capitalism guides our desire and our relationship with people, nature and ourselves.
In the rehearsal process, the group will draw inspiration from Sebastião Salgado’s epic photos in Serra Pelada, a Brazilian gold mine active in the 1980s, circular dances and non-Western mythologies and perspectives on insatiability, worldly desire and destruction. What does extractivism do to (our) bodies?
Boca Cova is a project supported by FELD/LAB, an initiative supported by the Goethe-Institut in Portugal.