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January 2023 saw the premiere of the first solo in the Dependência Aberta project. This project is the result of an invitation by Mélanie Ferreira to a creator to stage a solo for her.

The Dependência Aberta project consists of choosing creators with whom Mélanie Ferreira would like to spend time researching and creating, in a format of greater proximity. These invitations to collaborate come about because Mélanie Ferreira believes that the creative act has to be real, intelligent, intense and promising and, not being able to take it on alone, she decides to make her body survive through someone else's head. There is thus the assumption of a dependency and a need for coaching so that the existence of this performative body can have even more meaning and reach a purer state; without the dependency having to be closed off from the other. Rather, it is an open dependence, where both bodies neutralise, converge and renew in the hope of achieving the sublime. The project offers the possibility of creating an intimate working and research environment, something that doesn't usually happen in Mélanie Ferreira's career, as she always works in teams with various performers. It will mean having a primary focus on herself in order to continue renewing herself as an interpreter, performer, creator and researcher of her own body as power.

Being in the process of creating a solo is assuming that “I continue to lose myself in my body, so that the reconfiguration is necessary and precise, so that the return is new and the constant present.”. Following the Dependência Aberta project, Durarei por Paz e Nunca por Mal appears, in a continuity of intimate creation space, this time with a new creator, Daniel Matos, with whom the artist has already collaborated on several pieces and with whom she shares a journey of similar artistic desires.

Credits

Artistic Direction, Creation and Interpreation
Mélanie Ferreira

Creation and Coaching
Daniel Matos

Original Soundtrack
to be defined

Light Design and Technical Direction
Ana Carocinho

Scenography
to be defined

Costumes
to be defined

Photography
Bruno Simão

Video
to be defined

Project Management
Joana Flor Duarte

Co-Production
Teatro Municipal do Porto / Festival DDD, Teatro Viriato / Festival NANT, Theatro Circo de Braga

Circulation Support
Fundação GDA

Production
CAMA a.c.

Residency Support
Teatro Viriato, Cem - Centro em Movimento, TRUST Collective, Estúdios Victor Córdon

Co-production in Residency
O Espaço do Tempo

Mélanie Ferreira was born in Switzerland in 1996. She began her dance studies in Viseu at the Lugar Presente Dance School, where she attended the vocational course. Between 2014 and 2019, she completed her bachelor's and master's degrees at the Escola Superior de Dança. Her career has been marked by contact with different languages, choreographers and dancers, through various workshops, masterclasses and intensives. She has taken part in various projects with different choreographers, including Madalena Victorino, Francisco Pedro, Diana Niepce, Ana Borralho and João Galante, André Uerba, Lucia Nacht, Sérgio Penna, Daniel Matos, São Castro, Clara Andermatt and João Lucas, Tiago Vieira, Marco da Silva Ferreira, Jorge Jácome, Maurícia Neves and Joana de Verona. In 2021 she premiered her first play, being the creator and interpreter of the performance/photography Deitamos flores pelo lado de dentro in collaboration with André Alves, after which she began her project Dependência Aberta (DA), which is a cycle of solos interpreted by her, but created by artists of her choice. In 2023 she was nominated by the SPA for best dancer with the piece Carcaça by Marco da Silva Ferreira. In 2024 she collaborated as a performer in the pieces: Carcaça by Marco da Silva Ferreira, Coreografia para uma santificação (DA) by Tiago Vieira, GALINASSAGE by Diana de Sousa and Atsumori by Catarina Miranda.

Daniel Matos is a choreographer, performer and visual artist. He has developed his work as a creator, artistic collaborator and performer nationally and internationally collaborating with Ana Borralho & João Galante, Angélica Liddell, Romeo Castellucci, Amélia Bentes, Luís Marrafa, Davis Freeman, among others. Since 2016, his work is focused on the body as a field of biographical, physical and emotional research, questioning and redesigning the idea of limits. In 2017, together with Joana Flor Duarte, he founded CAMA cultural association – a structure for the development of performing arts based in Lagos. He assumes the artistic direction and programming of PEDRA DURA – Festival de Dança do Algarve and the co-curation of Verão Azul – Festival Transdisciplinar de Artes Contemporâneas.

Mélanie Ferreira & Daniel Matos

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