From a body at various times where memory reinvents itself, Gio Lourenço builds, based on the movements of Kuduro, a biographical itinerary where the body becomes an allegory of memory. Kuduro appears in the 1990s, in Luanda, in the context of a civil war. The specific codes of this dance style, which expressed the Angolan daily life, reached Portugal through the bodies and cassettes of those who transited between these two countries. It is at this time that the creator becomes a kudurista, the dance steps, the music, and the aesthetics of this style, established a codified language that allowed him to maintain a connection to Angola, where he was born and lived until he was 5 years old, when he move to Portugal. Boca Fala Tropa proposes an identity territory displaced from a concrete geography -the transit between Angola and Portugal- starting from the Kuduro movements to cross elements of individual memory, and its inevitable fictions, with elements of collective memory.