PT | EN

In the seventies, at the peak of the DISCOTHÈQUE era, the hearts of Latin and African-American immigrants, WHOLE or BROKEN, shared the hopeful LOOP of GLAMOUR. They all died. This is a war. Miss Universe takes refuge in a bunker that, during the fascist years, used to be a nightclub. There, she encounters gay ghosts.

Drawing from a real archive — from her uncle Ricardo Wagner — which merges with fiction, We at the Club Suffer Together is a hyperpop opera where the bunker becomes a phantasmagorical, utopian nightclub, reinterpreting homoerotic themes through an androgynous and transfeminist lens. A theatrical and operatic gesture that embraces suffering and opens the way to a new future.

Public Program

14 - 15 November
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Credits

Direction, Libretto & Composition
Diego Bragà

Performers
Diego Bragà, Paulo Pascoal, Eric Meireles, João Villas-Boas

Musical Direction, Soundscape
Nico Spinoza

Musical Production
Pedro Joaquim Borges

Hyperpop Electronics & Beats
Diana XL

Choreographic support/ Movement dramaturg
Tânia Carvalho

Assistant diretor
Mariana Guarda

Light design
Rui Monteiro

Technical direction
Ana Carocinho

Costumes
Carlota Lagido

Set design
ROD e Martîm

Paintings
Martîm

Production
Alkantara ⎯ Lysandra Domingues

Supported by
TalentLAB/Théâtres de la Ville de Luxembourg, CAMPUS/Rivoli, Festival END, Bolsa de Escrita Teatro Oficina, OPART, E.P.E./Estúdios Victor Córdon

Co-produced by
Alkantara and africologneFESTIVAL, within the contexto of Common Stories, a Creative Europe program financed by the European Union,

Creation Grants O Espaço do Tempo, with the support of BPI and the "la Caixa" Foundation

Alkantara is supported by República Portuguesa – Cultura/Direção-Geral das Artes and Câmara Municipal de Lisboa

© João Mendes

Diego Bragà / DIDIRELLA (Belo Horizonte) is a transfeminine artist whose work moves between queer operas, visceral films, and the invention of beautiful collective futures ahead. A fan of Lygia Clark, Marta Neves, Yoko Ono, and Paula Rego. She graduated from the London International School of Performing Arts. She has received several awards, including the Cultura Award from the Brazilian Ministry of Culture. Her aesthetic language intertwines ancestral archive, homemade carnival, melodrama, and travesty joy.

Diego Bragà (BR)

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