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A man and a woman meet at a café table and reminisce about the past.

This is the starting point of a complex story of love and friendship that reaches us through the voices of Jerry, Emma and Robert, told by Harold Pinter through a fractured, reverse timeline. This gesture may be a clear way of addressing the complexity of the passage of time, how we construct memories, and how our choices in communication are neither linear nor objective. Perhaps it is precisely the space between action and word — Pinter’s Pause — that carries all the tension and all the truth of a dialogue that may, at first glance, seem inconsequential.

There are moments when betrayal is implied merely in a line of dialogue, in a pause or an exchange of glances, in an evocation of the past, in an unfulfilled promise. A disturbing story about the fragility of love and human relationships.

30 - 31 January

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[PREMIERE]

January 30 @ 21h30
January 31 @ 21h30

› 16 years old

Free entry upon reservation via text to 964 027 962.

Credits

Interpretation
Bernardino Samina, Filipe Fernandes, Rosa Souto Armas

Staging
Theatron Associação Cultural

Executive Production
Todinha Santos

Technical Direction
Tiago Coelho

Conception of Graphic Image
Helena Barreiras

Theatron began as a youth association, born from the dream of a few young people in January 1998. The association's activity started with the play Gestus.

Beyond theater, Theatron's history intersects with other art forms, such as visual arts, photography, and dance. Interestingly, it even produced a radio show. The association also organized annual Theater Gatherings and the Theater Festival in partnership with the Montemor-o-Novo City Council, aimed at exchanging experiences with other amateur groups. Workshops, theater sessions in the parishes of Montemor-o-Novo, as well as Noites Lá Fora, Poetry Evenings, and Christmas events fostered interaction between the association, the community, and theater.

Without losing sight of its primary goal of producing amateur theater, Theatron has remained active since its inception, creating at least one play per year. Notable productions include Comédia em Família (2003), A Boda (2006), As Zaragatas em Chiozza (2011), A Casa de Ilusões (2013), O Coração De Um Pugilista (2014), O Coro dos Maus Alunos (2016), and Hotel da Bela Vista (2018).

Today, Theatron's unique trait lies in continuing to produce theater with amateur actors while relying on professional guidance for text adaptations, directing, and technical production. With this approach, Theatron remains committed to its presence, promoting and energizing the arts from two perspectives: that of the actor and the audience.

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