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The Precárias Festival returns for its third edition, and this year the theme revolves around possible childhoods — an invitation to explore childhood in its various possibilities, rethinking the future and fostering spaces for dialogue and exchange.

In Montemor-o-Novo, Precárias will host ReinvidicaSonhos, a collective workshop featuring Cigarra, Bee Barros, Luan Okun, and Azul (a young artist who sold her first painting at the first edition of Precárias). The workshop will function as a creative laboratory focused on producing images for a manifestation advocating the right to dream.

After the workshop, a snack will be served. Afterwards, Precárias takes to the streets, spreading its manifesto throughout Montemor-o-Novo with images and protest songs.

FULL PROGRAM

› 14:00 - 16:50 // ReivindicaSonhos – Image creation workshop with a focus on advocacy for the right to dream + Small meal @ Oficina Magina
› 16:50 - 17:00 // Departure from Oficina Magina towards Feira da Luz
› 17:30 - 18:00 // ManiFestação Parade at Feira da Luz

 

ABOUT PRECÁRIAS FESTIVAL

This year, the Precárias Festival revolves around possible childhoods — an invitation to explore childhood in its multiple possibilities, rethinking the future and fostering spaces for dialogue and exchange.

We seek artistic practices that bring reflections on childhood as a territory of invention and its potential, expanding the imagination of what a free, plural, and empowered childhood can be. The goal is to create an environment where we can rethink the present together and build more open, affectionate, and playful futures.

Play is seen as a form of struggle, a practice of freedom. The childhood that traverses us is not merely a life stage but a state of creation. It is the possibility to reimagine everything we were told was too serious to touch. For this reason, we affirm: play is serious business. Here, performance is a space of risk and experimentation. The theme does not restrict, it expands. This is not curatorial work to contain but a provocation to open. Confusion, error, improvisation, and play are welcomed. We are interested in what escapes the format, what destabilizes, what transforms.

Freedom is contested. In this context, play is a political gesture. We summon the childhoods we were — those that taught us to fall and rise — to call forth other possible childhoods. Childhoods that cannot fit into rulers or grids. Childhoods that can transform the world.

As popular wisdom says: “Those who sing chase away their sorrows, those who play forget that life is tiring.” And as the song by Molejo reminds us, echoing through streets and backyards: “Childhood games, how good they are, how good they are…”

6 September, 14h00

Oficina Magina view map

[ACTIVITIES FOR ALL FAMILIES]

For all ages - from 0 to 98 years old

Free entry upon reservation via text to [+351] 913 699 891 or to info[a]oespacodotempo.pt.

Credits

Artistic Direction and Program
Tita Maravilha

Open Call Support
Nádia Yracema, Luan Okun

Production
Mandí Kaibô, Bê Duarte

Technical Direction
Lui L'Abbate

Video
Arla Coleto

Graphic Design, site and social media promotion
Gadutra

Poster and podcast
Bertrand

Support
DGArtes / República Portuguesa

Co-production
Alkantara, O Espaço do Tempo

Partnerships
Rua das Gaivotas 6

Media Partners
Coffeepaste

Organization
Associação Trypas Corassão

Acknowledgments
Telma Moreira Faria, Cigarra, Pedro Barreiro, Bruno Trigo Gonçalves, Mariana Freitas, Violet, Inês Coutinho, Rádio Quântica, Maria Tsukamoto, Joana Costa Santos

Cigarra was born in São Paulo, a city where she grew up within the daily flows of migration and developed street expression tactics through collective parties. A DJ, performer, music producer, and cultural agent for over 15 years, she has dedicated half of that time to the Lisbon scene, in partnership with the city and dissident artists. She held resident parties in Lisbon’s main venues and is a member of the Union of Lisbon Street Carnival Blocos Association, as well as the board of the Trypas Corassão Association. Cigarra is also behind projects such as Roda de Sample, Carniçeira, BLOCU, MeioFio (Festival Alkantara), Ancestrofuturismo, SOMA, Hystereofônica, among others that she has led over the years in her research on decolonial crossroads. She has performed in more than 10 countries across Europe, Latin America, and Asia, at music and performing arts festivals such as the Berlin Biennale, Santarcangelo Festival, Gessnerallee, among others. She has released one album, two EPs, and over 20 tracks featured in compilations worldwide. Since 2018, she has been composing original soundtracks for dance, performance, and film, collaborating with artists such as Fabi Faleiros, Tita Maravilha, Josefa Pereira, Márcia Lança, Raimundo Cosme, Paula Diogo, and Catol Teixeira, in Portugal and beyond. Her music delivers an engaging and seductive research, crossing diasporic marginalities with the emotional power of pop and the subversion of experimental sounds.

Bee is a multidisciplinary artist, with a degree in Design from UFPE and an exchange at Parsons (NY), where they came into contact with different creative practices and collaborated on Broadway and film productions. Their trajectory crosses visual arts, design, and performing arts, with experience in video mixing, digital fabrication, lighting, and stage production. Between 2016 and 2018, they were part of Fab Lab Recife, responsible for the design area. In 2019, Bee moved to Portugal and soon reconnected with the performing arts; in 2022, they joined the team at Rua das Gaivotas 6 as a technical coordination intern, and since 2024 have participated in the scenic lighting study group Matéria Leve. Currently, Bee works mainly on lighting design for performances, while also developing experiments with VJing and live coding in collaborative and experimental projects.

Luan Okun transforms the experience of the body and displacement into poetic and performative activism. Their work merges theater, dance, installation, and collective affective relations, exploring racial identities, gender dissidence, and ancestral repair. With awards, residencies, and performances in Portugal and internationally, Luan stands out for creating new narratives and spaces of belonging — in the body, in art, and in shared life.

Azul is a young Brazilian artist, 11 years old, who has lived in Lisbon for nine years. They dedicate themselves to illustration, playful games, music research, pancakes, and to characters that accompany them, such as Cleitinho do Grau. Azul sold their first painting at the opening vernissage of the first edition of Festival Precárias and, since then, has been developing their fluid identity and unique creative technique.

ReinvidicaSonhos

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