The Precárias Festival returns for its third edition, and this year the theme revolves around possible childhoods — an invitation to explore childhood in its various possibilities, rethinking the future and fostering spaces for dialogue and exchange.
In Montemor-o-Novo, Precárias will host ReinvidicaSonhos, a collective workshop featuring Cigarra, Bee Barros, Luan Okun, and Azul (a young artist who sold her first painting at the first edition of Precárias). The workshop will function as a creative laboratory focused on producing images for a manifestation advocating the right to dream.
After the workshop, a snack will be served. Afterwards, Precárias takes to the streets, spreading its manifesto throughout Montemor-o-Novo with images and protest songs.
FULL PROGRAM
› 14:00 - 16:50 // ReivindicaSonhos – Image creation workshop with a focus on advocacy for the right to dream + Small meal @ Oficina Magina
› 16:50 - 17:00 // Departure from Oficina Magina towards Feira da Luz
› 17:30 - 18:00 // ManiFestação Parade at Feira da Luz
ABOUT PRECÁRIAS FESTIVAL
This year, the Precárias Festival revolves around possible childhoods — an invitation to explore childhood in its multiple possibilities, rethinking the future and fostering spaces for dialogue and exchange.
We seek artistic practices that bring reflections on childhood as a territory of invention and its potential, expanding the imagination of what a free, plural, and empowered childhood can be. The goal is to create an environment where we can rethink the present together and build more open, affectionate, and playful futures.
Play is seen as a form of struggle, a practice of freedom. The childhood that traverses us is not merely a life stage but a state of creation. It is the possibility to reimagine everything we were told was too serious to touch. For this reason, we affirm: play is serious business. Here, performance is a space of risk and experimentation. The theme does not restrict, it expands. This is not curatorial work to contain but a provocation to open. Confusion, error, improvisation, and play are welcomed. We are interested in what escapes the format, what destabilizes, what transforms.
Freedom is contested. In this context, play is a political gesture. We summon the childhoods we were — those that taught us to fall and rise — to call forth other possible childhoods. Childhoods that cannot fit into rulers or grids. Childhoods that can transform the world.
As popular wisdom says: “Those who sing chase away their sorrows, those who play forget that life is tiring.” And as the song by Molejo reminds us, echoing through streets and backyards: “Childhood games, how good they are, how good they are…”