What to do with no-time for a play? But what exactly is no-time, you ask? The term doesn't actually exist; let us classify it, then, as a creative linguistic whim. Imagine a theater group faced with this denial of time and the urgency of a deadline for a premiere, with only the characters Gustave Flaubert created for his Madame Bovary contained in a theatrical script. Submerged in fears and anxieties, without a leader, doubts deepen in the search for a path, sparring ideas in a kind of race against time.
24 - 25 January
Blackbox view map
January 24 @ 21h30
January 25 @ 21h30
› 12 years old
› 60 min. aprox.
Free entry upon reservation via text to 964 027 962.
Credits
Script & Staging
Theatron ⎯ Associação Cultural
Starring
Bernardino Samina, Filipe Fernandes, Helena Mateus, Hélder Pais, Leonor Pinto, Maria João Crespo, Rosa Souto Armas
Technician
Tiago Coelho
Production
Todinha Santos
Theatron began as a youth association, born from the dream of a few young people in January 1998. The association's activity started with the play Gestus.
Beyond theater, Theatron's history intersects with other art forms, such as visual arts, photography, and dance. Interestingly, it even produced a radio show. The association also organized annual Theater Gatherings and the Theater Festival in partnership with the Montemor-o-Novo City Council, aimed at exchanging experiences with other amateur groups. Workshops, theater sessions in the parishes of Montemor-o-Novo, as well as Noites Lá Fora, Poetry Evenings, and Christmas events fostered interaction between the association, the community, and theater.
Without losing sight of its primary goal of producing amateur theater, Theatron has remained active since its inception, creating at least one play per year. Notable productions include Comédia em Família (2003), A Boda (2006), As Zaragatas em Chiozza (2011), A Casa de Ilusões (2013), O Coração De Um Pugilista (2014), O Coro dos Maus Alunos (2016), and Hotel da Bela Vista (2018).
Today, Theatron's unique trait lies in continuing to produce theater with amateur actors while relying on professional guidance for text adaptations, directing, and technical production. With this approach, Theatron remains committed to its presence, promoting and energizing the arts from two perspectives: that of the actor and the audience.