What is an image of rage? What movement inspires the word of rage?

Anna Gaïotti, choreographer, performer and musician, sees it in the blue color and the intoxicating smell of the garbage fires, in the perpetual whirlwinds of the waters stirred by the twists of the receding river shore, or, in the stormy roars of the ocean. She also remembers the rabbies disease when she was in Ethiopia, the emergency people travelled for a vaccine before hydrophobia, and death. The urgency to kill all dogs. The body reappears in the face of hypnotic danger, in the face of what is irreversible.

Rage reflects on La Rabbia, film made by Pier Paolo Pasolini in 1963, through spaces that are not typical scenes. Anna Gaïotti wants to measure the states of the body on the edge of a so-called emergency, to make them both material of an elusive movement and object/subjects of a terrorizing beauty. The choreographer would like to express this compromise of beauty as an image of rage; this, by activating a hypnotic, precious, extremely vertiginous artistic writing in what it opens to time and space.