FΛRSΛ is a scenic research organized around games of optical illusion, sound deception, and physical dysmorphia, reflecting on the manipulation of disinformation and its impact on shaping both individual and collective perception of reality.
The approach emphasizes how a narrative is framed by the observer, dismantling the notion of a “singular truth" and exploring how facts can be shaped and reinterpreted depending on perspective.
More information soon.
Catarina Miranda develops stage projects that intertwine dance, voice, scenography and light, highlighting the pieces ATSUMORI, CABRAQIMERA, Dream is the Dreamer, Boca Muralha and Reiposto Reimorto presented at venues such as the Centre Pompidou, Palais de Tokyo, Gulbenkian Foundation, Serralves, Rivoli, festivals like Dias da Dança, Pays de Danses and the Aerowaves platform. She holds a master's degree in Choreography at EXERCE (ICI-CCN Montpellier) and a BA in Visual Arts (FBAUP).