PT | EN

Ten years of war between two civilizations: Greeks and Trojans. The love affair between Helen and Paris leads to the fall of Troy, burned to the ground after a decade of conflict. The Greeks demand the death of Astyanax, the son of Hector and Andromache. Hecuba is taken prisoner. The story is well known. Between myths, heartbreaks, and the rewritings of historians—what matters to us in Trojan Women?

War has never been absent from the world, but in recent years, from Kyiv to Palestine, several conflicts and flashpoints have escalated. The love of war, of violence, the gas shortages, the threat of the bomb. The love of the bomb, as Dr. Strangelove might say in Kubrick’s film. War is not the shock. What interests us is the barbaric, violent gesture — and its root. With Seneca, we may once again question the place to which we relegate the Other, the unknown.

4 July, 21h30

Oficina Magina view map

[OPEN REHEARSAL]

› 12 years old

Free entry upon reservation via text to [+351] 913 699 891 or to info[a]oespacodotempo.pt.

© Val Kutepov
© Val Kutepov
© Val Kutepov
© Val Kutepov

Credits

Translation
Ricardo Duarte

Direction
Renata Portas

Investigation and dramaturgy
Joana Pajuelo

Actors
Bárbara Bruno, Diogo Tormenta, Tiago Sines, Mariana de São Pedro Lamego, Maurícia Barreira Neves, Roberto Merino

Lightning
João Pecegueiro

Sound
Renata Portas e sonoplasta a definir

Movement
Isabel Ariel

Costume designer
Jordann Santos

Comunication and design
lina&nando

Production
Público Reservado

Executive production
Artur Silva

Photo
Alípio Padilha/ Val Kutepov

Video (internship)
Carlota Estrela

Support
Teatro de Ferro, Campus Paulo Cunha e Silva

Co-production in Residency
O Espaço do Tempo

Público Reservado is a theatre company with the artistic direction of Renata Portas. The company explores death, philosophy and language as means to develop theatre as art. Some plays: O Jogo das Perguntas, by Peter Handke (2016), Dramatículos, by Samuel Beckett (2021), Adramalech, by Valère Novarina (2022). They work with institutions like Teatro Nacional São João and Rivoli, but also in underground and off-circuit sites.

Troianas

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