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Berlim, 1997 is the result of an invitation extended to João Estevens to create a first collaborative work, based on shared strategies such as the intersection of theatrical language with other artistic and technological lexicons.

It is an experimental and dissonant artistic object.

It stems from a possibility of transformation and dematerialization, rejecting the conventional limits of fiction.

It plays with altering the spatiotemporal reality of the room and the figures through the construction of images, movement, light, the systematic aggregation and disaggregation of different elements, and the real-time electronic exploration of sound.

5 April, 21h30

Oficina Magina view map

[PREMIERE]

› 80 minutes

Free entry upon reservation via text to [+351] 913 699 891 or to info[a]oespacodotempo.pt.

Credits

Creation
Cão Solteiro & João Estevens

Scenography
Vasco Araújo

Costumes
Mariana Sá Nogueira

Light Design
Joana Mário

Sound Installation
Rodrigo Pedreira

Robotics
MILL – Makers in Little Lisbon

Motorized Filters
João Ferreira, Sérgio Coutinho

Tailors
Teresa Louro, João Natário

Head of Production & Photography
Joana Dilão

Production
Mariana Sá Marques

Diffusion
Raquel Bravo

With
Ana Libório, Joana Mário, João Estevens, Paula Sá Nogueira, Rodrigo Pedreira

Editorial Project
Notebook & Pictures: Mariana Sá Nogueira
Co-production in Residency: O Espaço do Tempo
Support: Junta de Freguesia da Misericórdia
Acknowledgments: Estação Cooperativa, Oficinas do Convento, Pedro Barreiro, Cine-Set
Co-production: Cão Solteiro Teatro, O Espaço do Tempo

CÃO SOLTEIRO is a platform of artists creating theatre pieces in Lisbon since 1997, directed by actor Paula Sá Nogueira, costume designer Mariana Sá Nogueira, and producer/photographer Joana Dilão. Their creative process relies on the construction of images, and their work often code-switches between different artistic languages and disciplines. They continually question the formal relevance of theatre and test its structural rules, focusing mainly on how communication establishes itself and unfolds in the theatre. Their tools include the displacement and purposeful misuse of formal elements and of meaning, absurd entrances, errors, and pure lies.

JOÃO ESTEVENS is a creator, performer and researcher. He began his artistic career in university theatre, studied at Forum Dança and worked as a performer before starting his artistic research. He is currently finalizing a doctorate in social sciences. His artistic practice values experimentation and hybridity, combining the performing and visual arts in the development of his language. He focuses on the composition of new dramaturgies and has recently collaborated with several emerging artists. He joined Rabbit Hole, a structure where he strengthened his collaborative practices by co-creating multidisciplinary artistic platforms and performance events. His most recent work includes the transmedia performance C\:>how2become (data) & dissolve_into: 'tears', the editorial coordination of the book Artes Performativas e Cultura Digital and the co-creation, with Ana Libório and Bruno José Silva, of the performance COSMIC PHASE/STAGE.

Berlim, 1997

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