PT | EN

Les Idoles, a French collective composed of Lise Messina and Chandra Grangean, will be in artistic residency at O Espaço do Tempo from December 2 to 11 to work on Series #3 of Reface, a physical and musical exploration of transformation, deformation, and alteration of materials. The work reflects the idea that everything is in transition: our bodies, memories, social environments, public spaces, relationships, and political powers. The collective focuses on this instability on an intimate scale, examining how faces and emotions are unstable and constantly evolving.

The company aims to develop a series of works — extensions of the original piece — that address its themes from different perspectives. These series, inspired by new disciplines or pedagogical insights, revisit questions of self-representation and the ongoing metamorphosis of our bodies and faces, offering expansive and inexhaustible explorations. Series #3 is currently in its creative process, focusing on transformation and deformation from a new perspective. The goal is to develop a new form of writing that deeply reveals the layers and artifacts of the metamorphic process. It begins with the simple act of applying makeup in front of a mirror and unfolds into the total transformation of a group, reflecting the complexity of constant change.

On December 6 at 7:30 PM, Les Idoles will host an open session for the public where they will present materials from Reface in connection with Series #3 of this project.

6 December, 19h30

Blackbox view map

Free entry upon reservation via text to [+351] 913 699 891 or to info[a]oespacodotempo.pt.

© Tom Grand Mourcel
© Tom Grand Mourcel
© Tom Grand Mourcel

Credits

Concept
Les Idoles

Performers
Tom Grand Mourcel, Joachim Maudet, Lisa Martinez, Alaïs Marzouvanlian, Chloé Zamboni, Lise Messina et Chandra Grangean

Musical Coordination
Martin Maltray-Ravit

Costumes
Lucie Grand Mourcel

© Tom Grand Mourcel

Our approach: searching, delving, stealing references, slipping into someone else’s skin, reincarnating, (de)mystifying... We’re a tribute collective, criss-crossed by a thousand cinematic, photographic and musical references. Thank you Granny Gisou for your topless shot on the beach in Saint-Tropez, thank you Beyoncé for your Countdown clip, largely plagiarized from Anne Teresa de Keersmaeker’s Rosas danst Rosas and thank you Buster Keaton for your wiggle in The play house. This work space, which we want to be singular and offbeat, allows us to question the images that surround us, from the most popular to the most elitist, from the most iconic to the most trivial. Which figures do we worship? Which are the ones we forget, or the ones that persist over time? Based on physical and musical research, we create hybrid projects and performances that are often offbeat and/or anachronistic. We like to play with codes, change viewpoints and divert images that are too fxed. The question of the gaze and the relationship with the audience runs through our work, forcing us to reinvent ourselves and our relationship with space.

Open Studio

Newsletter