WonderLandi proposes an itinerary in which music is the performative epicenter, using rhythm and melody as a choreographic matrix, capable of structuring and orchestrating bodies, objects, texts, intentions, and movements.

That Song About the End tells the disastrous story of a high school reunion of friends who gradually realize they can no longer maintain a harmonious relationship. Or is there something more to it, and this isn't just a simple dinner?

O Estado do Tempo is an initiative organized by O Espaço do Tempo that comprises a series of talks and the publishing of a collection of zines on various topics of our time. The next talk will be on October 4. 

Mercedes Mais Eu is a work of collaboration between the artist Janet Novás and the composer Mercedes Peón in which they both explore the particular relation that exists and establishes itself between "her dance and her music." The work, in feminine, is a music-dance hybrid full of evocative images. It is divided into four sections, allowing it to inhabit different architectures or frameworks, from more theatrical to installational and museum contexts.

Two women eat in a park, or at the door of a house, or in a courtyard. They share a common everyday space, a conversation, the intimacy of the silence. Suddenly, the singing and dancing break the ordinary world and introduce the magic. In a suspended, enigmatic time, the choreograph is born as a delicate whirl until it becomes a whirlwind.